INSTITUTION RESEARCH

PROPS ANALYSIS

PROP	SCENE	CHARACTER
books – intertextuality, as the books shown have an impact on the film, “hold your own” is the title of the film, “submarine” is the inspiration for the opening sequence, “The Great Gatsby” provides the idea of ‘the wonderer’ through the character of Gatsby and “wonder” is a book that describes an outcast, which is relatable to the protagonist.	The beginning scene – inside of the protagonist’s bedroom.	NOELLE
Wooden mannequin – suggestion of artistic/creative lifestyle. Generic art school equipment.	The beginning scene – inside of the protagonist’s bedroom.	NOELLE
The desk lamp will be on; this will be creating emphasis on the images on the wall (pictures from the shots) light denotes hope.	The beginning scene – inside of the protagonist’s bedroom.	NOELLE
There will be headphones on the desk too, this suggests the protagonists need for escapism.	The beginning scene – inside of the protagonist’s bedroom.	NOELLE
There will be posters on the wall showing slightly – not complete focus on the posters however; there will be intertextuality to many political and civil movements, such as equality movements and indications of support for the green party.	The beginning scene – inside of the protagonist’s bedroom.	NOELLE hastilow

LOGISTICS

SCRIPT

"HOLD YOUR OWN"

FADE IN:

INT. Suburban bedroom scene (wall) morning

An introduction to Noelle’s bedroom, books and a photograph pinned to the wall can be seen. There is a closer view of the photograph, distinguishing it as being a photograph of Noelle by the cliffs on the coast, the sunrise is mild, filled with calm oranges and lilacs.

ext. cliff side, seven sisters country park early morning

Noelle seems motionless; completely consumed whilst the nature of the coast surrounds her making commotion, Noelle finds comfort in this ambience.

ext. urban city scape, evening

Noelle seems motionless; completely consumed whilst the surrounding buildings stand still, Noelle is distressed the evening is filled with melancholy.

INT. suburban bedroom scene, morning

The melancholy scene becomes a distraught photograph, slowly fading from vision until if descends from the wall it was clinging onto. The photograph hits the desk as the scene takes a drastic turn.

(V.O.) NOELLE: “why is everything so empathic?”

The view is filled with domineering and aggressive hands. This throws Noelle off.

STORY BOARD

RISK ASSESMENT

TREATMENT - DRAMA COMING OF AGE FILM